{"id":2391,"date":"2021-02-05T21:05:03","date_gmt":"2021-02-05T20:05:03","guid":{"rendered":"https:\/\/arsuspaper.com\/?page_id=2391"},"modified":"2021-02-05T21:05:03","modified_gmt":"2021-02-05T20:05:03","slug":"papelgel","status":"publish","type":"page","link":"https:\/\/arsuspaper.com\/en\/papelgel\/","title":{"rendered":"Papelgel"},"content":{"rendered":"
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Papelgel<\/strong><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
Despu\u00e9s de a\u00f1os de investigaci\u00f3n en colaboraci\u00f3n con el Consejo Superior de Investigaciones Cient\u00edficas (CSIC), el Grupo de Ingenier\u00eda de Materiales (GEMAT) del Instituto Qu\u00edmico de Sarri\u00e1 (IQS)\u00a0y el apoyo del Centro para el Desarrollo Tecnol\u00f3gico e Industrial (CDTI), se consigue desarrollar un material tecnol\u00f3gicamente innovador -\u00fanico en el mundo y patentado en trece pa\u00edses-,<\/del>\u00a0que ampl\u00eda las posibilidades del uso de la imagen fotogr\u00e1fica en el mundo del Arte, y da respuesta a la necesidad de introducir en la reproducci\u00f3n de las obras de arte\u00a0–<\/del>cualquiera que sea su naturaleza- el testimonio objetivo de su imagen fotogr\u00e1fica.PAPELGEL\u00ae\u00a0<\/ins>Es un material copol\u00edmero laminar, imprimible e inocuo. De aspecto muy similar a los papeles convencionales de calidad fotogr\u00e1fica,\u00a0 permite transferir im\u00e1genes fotogr\u00e1ficas de gran calidad a objetos con volumen, sin limitaci\u00f3n de tama\u00f1o, forma o textura.<\/p>\n

En el campo de la Restauraci\u00f3n de Obras de Arte -y en colaboraci\u00f3n con la Universidad Polit\u00e9cnica de\u00a0 Valencia- se adaptan las caracter\u00edsticas de Papelgel para su utilizaci\u00f3n en la reintegraci\u00f3n crom\u00e1tica de grandes faltantes en pintura mural.\u00a0 Como resultado de\u00a0 la investigaci\u00f3n, se consigue transferir im\u00e1genes fotogr\u00e1ficas sobre morteros de cal sin necesidad de adhesivos intermedios que alterar\u00edan la necesaria permeabilidad del muro. Se ha realizado la restauraci\u00f3n de las pinturas murales de Antonio Palomino, en la iglesia de los Santos Juanes de Valencia<\/a>.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>

1998<\/strong><\/h1>\n

Despu\u00e9s de a\u00f1os de investigaci\u00f3n con el prop\u00f3sito de encontrar un sistema adecuado para introducir la imagen fotogr\u00e1fica en el \u00e1mbito de las artes pl\u00e1sticas, Julio G\u00f3mez patenta Papelgel<\/strong>. Tiempo despu\u00e9s funda, con Olga M\u00e9ndez, la empresa Arsus Paper<\/span>.<\/p>\n<\/div>

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\"\"<\/p>\n

2001<\/strong><\/h1>\n

A partir del a\u00f1o 2001 y gracias al apoyo del Centro para el Desarrollo Tecnol\u00f3gico e Industrial (CDTI), la colaboraci\u00f3n con el Consejo Superior de Investigaciones Cient\u00edficas (CSIC) y el Grupo de Ingenier\u00eda de Materiales (GEMAT) del Instituto Qu\u00edmico de Sarri\u00e1 (IQS) se consigue desarrollar la producci\u00f3n de Papelgel.<\/p>\n<\/div>

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\"\"<\/a><\/p>\n

2003<\/strong><\/h1>\n

Se presenta la reproducci\u00f3n de las pinturas murales de Santa Mar\u00eda d\u00b4\u00c0neu<\/a><\/span>, el primer facs\u00edmil fotogr\u00e1fico de pintura mural que “re-presenta” fielmente la textura y volumen de la obra.<\/p>\n<\/div>

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\"\"<\/a><\/p>\n

2007<\/strong><\/h1>\n

Se presenta la reproducci\u00f3n del retablo de Santa Mar\u00eda de Guimer\u00e1<\/a><\/span>. <\/a><\/span>Primer facs\u00edmil digital, “objetivo”, en el que se aplican las \u00faltimas tecnolog\u00edas de registro de im\u00e1genes: fotograf\u00eda digital<\/strong> de alta resoluci\u00f3n; escaneado de superficies tridimensionales: escaner de luz blanca estructurada<\/strong>; mecanizado del volumen s\u00f3lido: fresado cnc<\/strong>; y aplicaci\u00f3n de la imagen sobre superficie con volumen y textura: Papelgel.<\/strong><\/p>\n<\/div>

<\/div>
<\/div><\/div>
<\/div>

\"\"2008<\/strong><\/h1>\n

Desarrollo de un sistema para transferir solo tinta\u00a0<\/strong>sobre mortero de cal\u00a0para la restauraci\u00f3n de pintura mural.\u00a0<\/strong>
\nPara ello se modifica la formulaci\u00f3n de Papelgel y la l\u00e1mina se arma con un tejido sint\u00e9tico.<\/p>\n

En colaboraci\u00f3n con el Departamento de Restauraci\u00f3n y Conservaci\u00f3n de la Universidad Polit\u00e9cnica de Valencia<\/strong>\u00a0que desarrolla el planteamiento de la intervenci\u00f3n, restaura las pinturas y realiza el tratamiento de la imagen hist\u00f3rica, se restaura una parte de las pinturas murales de Palomino en la iglesia de\u00a0Los Santos Juanes de Valencia<\/a>.<\/span><\/span>
\nLa compa\u00f1\u00eda\u00a0Hewwlett-Packard<\/strong>\u00a0colabora aplicando un software (sistema Artist, en fase de experimentaci\u00f3n en ese momento)\u00a0para el control y gesti\u00f3n del color<\/strong>.<\/p>\n<\/div>

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