Retaule d\u00b4Enviny<\/strong><\/h2>\n![\"\"](\"https:\/\/arsuspaper.com\/wp-content\/uploads\/2020\/01\/Retablo-de-Enviny.jpg\")
<\/strong><\/p>\n\u00a0<\/strong><\/p>\n\u00a0<\/strong><\/p>\n\u00a0<\/strong><\/p>\n\u00a0<\/strong>\u00a0<\/strong><\/p>\nEsgl\u00e9sia\u00a0de la Mare de D\u00e9u de la Purificaci\u00f3.
\nEnviny, Lleida.
\nRetaule g\u00f3tic de Pere Espallargues.
\nMidas: 3 x 5 metres.
\nEnc\u00e0rrec del Consell Comarcal del Pallars Sobir\u00e0.
\nOriginals conservats en el Hispanic Society de Nueva York i\u00a0 Philadelphia Museum of Art.<\/strong><\/p>\nEl Retaule g\u00f2tic d’Enviny -obra de Pere Espalargues-, va decorar l’\u00e0bsis de l\u2019esgl\u00e9sia parroquial de la Purificaci\u00f3 d’Enviny fins a 1909, any en el qual va ser venut a un antiquari.<\/p>\n
Actualment, aquesta valuosa obra es troba repartida en dos museus de EEUU. El cos principal es conserva des de 1913 en la Hispanic Society of America de Nova York i la predel\u00b7la i portes laterals en el Philadelphia Museum of Art.<\/p>\n
En bona mesura, ha estat gr\u00e0cies a la tenacitat d’Agust\u00ed L\u00f3pez, alcalde de Sort, i el rector d’Enviny, Joan Escales, el que la imatge del retaule torni a presidir el temple.<\/p>\n
\n<\/div>Com es pot apreciar en la fotografia en blanc i negre presa a principis del segle XX -cedida gentilment pel Institut Amatller d\u00b4Art Hispanic- el retaule es conserva incomplet. La talla de la verge que s\u2019allotjava en la forn\u00edcula del cos principal, es troba en parador ignorat. La mateixa sort han corregut el frontal de l\u2019altar i la taula “ecce homo” que custodiava el sagrari. La marqueteria que decorava el conjunt de la predel\u00b7la i portes tamb\u00e9 ha desaparegut, encara que possiblement el seu estat de conservaci\u00f3 va fer impossible recuperar-la.<\/p>\n<\/div>
![\"\"](\"https:\/\/arsuspaper.com\/wp-content\/uploads\/2020\/01\/predela-bn.jpg\")
Fotografia cedida pel\u00a0Institut Amatller d\u00b4Art Hispanic.<\/p><\/div>\n<\/div>
La fotografia va servir tamb\u00e9 com a refer\u00e8ncia per a recrear tots els elements constructius i ornamentals perduts. Per a aix\u00f2, es redimensiono la imatge i es van obtenir calcs a grand\u00e0ria real de les columnes, sanefes, calats i demes elements decoratius de la marqueteria.
\nEs van tallar i van modelar les formes.
\nAmb ajuda de motlles es van repetir alguns motius.<\/p>\n
![\"\"](\"https:\/\/arsuspaper.com\/wp-content\/uploads\/2020\/01\/calados.jpg\")
detall dels calats<\/p>\n<\/div>
![](\"https:\/\/arsuspaper.com\/wp-content\/uploads\/2020\/01\/modelados.jpg\" "\\"modelados\\"")
<\/span><\/div>modelatge de l\u00b4ornament<\/p>\n<\/div><\/div><\/div>
![](\"https:\/\/arsuspaper.com\/wp-content\/uploads\/2020\/01\/moldes1-2.jpg\" "\\"moldes1\\"")
<\/span><\/div>motlle de silicona<\/p>\n<\/div><\/div><\/div><\/div>
Es va construir una estructura met\u00e0l\u00b7lica per a la col\u00b7locaci\u00f3 de tots els elements que conformen el retaule: les taules, el guardapols, la forn\u00edcula, les motllures,etc.<\/p>\n
Les taules es van preparar amb una imprimaci\u00f3 similar a l\u2019original. Es van recrear llacunes, esquerdes, baix relleus i altres textures de l\u2019obra.<\/p>\n<\/div><\/div><\/div>
![](\"https:\/\/arsuspaper.com\/wp-content\/uploads\/2020\/01\/parche-de-color-1.jpg\" "\\"parche")
<\/span><\/div>model de carta estandaritzada amb pegats de color per la correcci\u00f3 crom\u00e0tica de la fotografia.<\/p>\n<\/div><\/div><\/div>
![](\"https:\/\/arsuspaper.com\/wp-content\/uploads\/2020\/01\/aurora.jpg\" "\\"aurora\\"")
<\/span><\/div>Aurora modelant elements de la marqueteria<\/p>\n<\/div><\/div><\/div><\/div><\/div>
Les zones d\u2019aquest minuci\u00f3s treball reservades als daurats, es van aplicar en la transfer\u00e8ncia amb Papelgel. La t\u00e8cnica permet aplicar pintura met\u00e0l\u00b7lica en el fons de les imatges. D\u2019aquesta manera, els fons daurats queden totalment integrats en la pintura, aportant un aspecte convincent en el color, les veladures on l\u2019or respira, les zones on apareix el bol de la preparaci\u00f3, etc.<\/p>\n
Finalment es va protegir i matisar adequadament el conjunt del retaule<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2121","page","type-page","status-publish","hentry"],"yoast_head":"\n
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<\/strong><\/p>\n\u00a0<\/strong><\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong>\u00a0<\/strong><\/p>\n Esgl\u00e9sia\u00a0de la Mare de D\u00e9u de la Purificaci\u00f3. El Retaule g\u00f2tic d’Enviny -obra de Pere Espalargues-, va decorar l’\u00e0bsis de l\u2019esgl\u00e9sia parroquial de la Purificaci\u00f3 d’Enviny fins a 1909, any en el qual va ser venut a un antiquari.<\/p>\n Actualment, aquesta valuosa obra es troba repartida en dos museus de EEUU. El cos principal es conserva des de 1913 en la Hispanic Society of America de Nova York i la predel\u00b7la i portes laterals en el Philadelphia Museum of Art.<\/p>\n En bona mesura, ha estat gr\u00e0cies a la tenacitat d’Agust\u00ed L\u00f3pez, alcalde de Sort, i el rector d’Enviny, Joan Escales, el que la imatge del retaule torni a presidir el temple.<\/p>\n Com es pot apreciar en la fotografia en blanc i negre presa a principis del segle XX -cedida gentilment pel Institut Amatller d\u00b4Art Hispanic- el retaule es conserva incomplet. La talla de la verge que s\u2019allotjava en la forn\u00edcula del cos principal, es troba en parador ignorat. La mateixa sort han corregut el frontal de l\u2019altar i la taula “ecce homo” que custodiava el sagrari. La marqueteria que decorava el conjunt de la predel\u00b7la i portes tamb\u00e9 ha desaparegut, encara que possiblement el seu estat de conservaci\u00f3 va fer impossible recuperar-la.<\/p>\n<\/div> Fotografia cedida pel\u00a0Institut Amatller d\u00b4Art Hispanic.<\/p><\/div>\n<\/div> La fotografia va servir tamb\u00e9 com a refer\u00e8ncia per a recrear tots els elements constructius i ornamentals perduts. Per a aix\u00f2, es redimensiono la imatge i es van obtenir calcs a grand\u00e0ria real de les columnes, sanefes, calats i demes elements decoratius de la marqueteria. modelatge de l\u00b4ornament<\/p>\n<\/div><\/div><\/div> motlle de silicona<\/p>\n<\/div><\/div><\/div><\/div> Es va construir una estructura met\u00e0l\u00b7lica per a la col\u00b7locaci\u00f3 de tots els elements que conformen el retaule: les taules, el guardapols, la forn\u00edcula, les motllures,etc.<\/p>\n Les taules es van preparar amb una imprimaci\u00f3 similar a l\u2019original. Es van recrear llacunes, esquerdes, baix relleus i altres textures de l\u2019obra.<\/p>\n<\/div><\/div><\/div> model de carta estandaritzada amb pegats de color per la correcci\u00f3 crom\u00e0tica de la fotografia.<\/p>\n<\/div><\/div><\/div> Aurora modelant elements de la marqueteria<\/p>\n<\/div><\/div><\/div><\/div><\/div> Les zones d\u2019aquest minuci\u00f3s treball reservades als daurats, es van aplicar en la transfer\u00e8ncia amb Papelgel. La t\u00e8cnica permet aplicar pintura met\u00e0l\u00b7lica en el fons de les imatges. D\u2019aquesta manera, els fons daurats queden totalment integrats en la pintura, aportant un aspecte convincent en el color, les veladures on l\u2019or respira, les zones on apareix el bol de la preparaci\u00f3, etc.<\/p>\n Finalment es va protegir i matisar adequadament el conjunt del retaule<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2121","page","type-page","status-publish","hentry"],"yoast_head":"\n
\nEnviny, Lleida.
\nRetaule g\u00f3tic de Pere Espallargues.
\nMidas: 3 x 5 metres.
\nEnc\u00e0rrec del Consell Comarcal del Pallars Sobir\u00e0.
\nOriginals conservats en el Hispanic Society de Nueva York i\u00a0 Philadelphia Museum of Art.<\/strong><\/p>\n
\n<\/div>
\nEs van tallar i van modelar les formes.
\nAmb ajuda de motlles es van repetir alguns motius.<\/p>\ndetall dels calats<\/p>\n<\/div><\/span><\/div><\/span><\/div><\/span><\/div><\/span><\/div>