{"id":2101,"date":"2020-03-08T13:09:40","date_gmt":"2020-03-08T12:09:40","guid":{"rendered":"https:\/\/arsuspaper.com\/?page_id=2101"},"modified":"2020-03-09T16:07:07","modified_gmt":"2020-03-09T15:07:07","slug":"maderuelo","status":"publish","type":"page","link":"https:\/\/arsuspaper.com\/ca\/maderuelo\/","title":{"rendered":"-Maderuelo"},"content":{"rendered":"

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Maderuelo<\/strong><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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\u00a0<\/strong><\/p>\n

Ermita de la Veracruz.
\nPintura mural del segle XII.
\nMaderuelo. Seg\u00f2via.
\nEnc\u00e0rrec de la Direcci\u00f3n General de Patrimonio Cultural de Castilla y Le\u00f3n.
\nL\u00b4original es conserva al Museu del Prado.<\/strong><\/p>\n

L\u2019ermita de la Veracruz -declarada Monument en 1924- \u00e9s un santuari de formes humils, que no obstant aix\u00f2, albergava un dels conjunts de pintura rom\u00e0nica m\u00e9s interessants i millor conservats d’Espanya. Amb la creaci\u00f3 de l\u2019embassament de Linares i la irremeiable arribada de les seves aig\u00fces, va quedar compromesa la delicada conservaci\u00f3 de les pintures. En 1947 van ser traslladades a llen\u00e7 i reconstru\u00efdes en el Museu del Prado, formant des de llavors part de la seva col\u00b7lecci\u00f3.<\/p>\n

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<\/a><\/span><\/div>

aspecte abans de la c\u00f2pia<\/p>\n<\/div><\/div><\/div>

Adjudicada la recreaci\u00f3 de les pintures per la Direcci\u00f3n General de Patrimonio de la Junta de Castilla y Le\u00f3n a Arsus Paper, es planteja -at\u00e8s que la capella original conserva importants restes de pintura de gran valor hist\u00f2ric- construir al costat oposat de la nau i encarada a l\u2019original, una estructura exempta que contingui la c\u00f2pia. Tots els aspectes de l\u2019obra s\u00f3n estudiats al costat de t\u00e8cnics del Servei d\u2019Arquitectura de Seg\u00f2via i l’irreductible alcalde de Maderuelo, Don Santiago Bayo.<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

r\u00e9plica vista des de l\u00b4original<\/p>\n<\/div><\/div><\/div>

La reproducci\u00f3 de les pintures t\u00e9 com a objecte la representaci\u00f3 m\u00e9s fidel de la imatge perduda. Per aix\u00f2, no competeix amb l\u2019original, sin\u00f3 que es converteix en el fidel testimoni de l\u2019esplendor i la bellesa que presentava el conjunt abans dels arrencaments. L\u2019efecte dialogant aconseguit entre c\u00f2pia i original, aconsegueix recompondre en la contemplaci\u00f3 dels murs originals \u2013\u00fanics protagonistes- el record immediat de la rotunditat i colorit que aporta l\u2019objectivitat de la r\u00e8plica.<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

original visto des de la r\u00e9plica<\/p>\n<\/div><\/div><\/div><\/div><\/div>

La nova capella<\/strong>\u00a0esta cal\u00e7ada sobre una plataforma lleugera de formig\u00f3, amb la intenci\u00f3 d\u2019imitar l\u2019efecte d\u2019entrada en una sala diferenciada. A causa de les possibles inundacions, el s\u00f2l, de morter nu, exigia la permeabilitat necess\u00e0ria per filtrar l\u2019aigua i evitar estancaments.<\/p>\n

El material utilitzat per construir\u00a0l\u2019estructura<\/strong>\u00a0-sis metres d\u2019altura per m\u00e9s de cinc d\u2019ample i profund-, va ser l\u2019alumini. Per les seves propietats de resist\u00e8ncia a l\u2019oxidaci\u00f3 i als esfor\u00e7os de tracci\u00f3 i compressi\u00f3, s\u2019establia com la millor opci\u00f3. Es van col\u00b7locar planxes de policarbonat com a suport de fons. Els volums irregulars dels murs, que tenen una pres\u00e8ncia molt significativa, es van modelar amb poliestir\u00e8 expandit (el muntatge de les pintures en el Museu del Prado respon a una forma geom\u00e8trica regular, la qual cosa va obligar a retallar o modificar les fotografies per ajustar-les a les formes que presenta l\u2019original). Tot el conjunt va ser recobert amb resina epoxi refor\u00e7ada amb fibra de vidre. Finalment es va aplicar el morter pl\u00e0stic imitant la textura, llacunes i esquerdes de l\u2019original.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/a><\/span><\/div>

fotografia en el Museo del Prado<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

projecci\u00f3 d\u00b4imatges<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

detall del proc\u00e9s<\/p>\n<\/div><\/div><\/div><\/div>

Las fotografias<\/strong>\u00a0van ser realitzades per l\u2019equip de Arsus Paper en el Museu del Prado.
\nUna vegada dimensionades les imatges, es van imprimir calcs per delinear el perfil del morter i aportar l\u2019aspecte de sobrerrelleu caracter\u00edstic de les p\u00e8rdues de material.
\nPer fer m\u00e9s precisa l\u2019aplicaci\u00f3 del Papelgel, les escenes van ser projectades sobre el nou mur. Les imatges es van col\u00b7locar seguint les p\u00e8rdues de material, aportant una sensaci\u00f3 de profunditat i volum excepcional.<\/p>\n<\/div>

<\/a><\/span><\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div>

montant l\u00b4estructura<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

policarbonat y calcs<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

Olga modelant poliestir\u00e8<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

vista interior de l\u00b4estructura<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

Olga i Nacho aplicant morter<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

detalle del volumen<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

Vera<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

Luis y Marc<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

retirant Papelgel<\/p>\n<\/div><\/div><\/div>

<\/a><\/span><\/div>

detall del relleu<\/p>\n<\/div><\/div><\/div><\/div><\/div>

La il\u00b7luminaci\u00f3<\/strong> ha requerit d’un estudiat plantejament. Les parets estan cobertes d’imatges i el s\u00f2l quedar\u00e0 anegado per l’aigua en les inundacions. Aix\u00ed, s’han disposat de quatre focus modificats prove\u00efts de llums hal\u00f2gens d’intensitat regulada. Els m\u00e9s visibles, al final de la sala, han estat dissimulats embotint-los en el fals mur.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2101","page","type-page","status-publish","hentry"],"yoast_head":"\n-Maderuelo - ArsusTaller<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arsuspaper.com\/ca\/maderuelo\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"-Maderuelo - ArsusTaller\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arsuspaper.com\/ca\/maderuelo\/\" \/>\n<meta property=\"og:site_name\" content=\"ArsusTaller\" \/>\n<meta property=\"article:modified_time\" content=\"2020-03-09T15:07:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/arsuspaper.com\/wp-content\/uploads\/2020\/01\/maderuelo11-300x225.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"28 minuts\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/arsuspaper.com\/ca\/maderuelo\/\",\"url\":\"https:\/\/arsuspaper.com\/ca\/maderuelo\/\",\"name\":\"-Maderuelo - 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