{"id":2094,"date":"2020-03-08T12:47:09","date_gmt":"2020-03-08T11:47:09","guid":{"rendered":"https:\/\/arsuspaper.com\/?page_id=2094"},"modified":"2020-03-09T15:26:28","modified_gmt":"2020-03-09T14:26:28","slug":"tutankamon","status":"publish","type":"page","link":"https:\/\/arsuspaper.com\/ca\/pintura-mural\/tutankamon\/","title":{"rendered":"-Tutankamon"},"content":{"rendered":"

Tutankam\u00f3n<\/strong><\/h2>\n

\"\"<\/p>\n

\u00a0<\/strong><\/p>\n

Pintura mural de la XVIII Dinastia.<\/strong>
\nValle de los Reyes, Luxor. Egipte.<\/strong><\/p>\n

 <\/p>\n

Des de que fos descoberta per Howard Carter en 1922, -i a causa de la seva gran riquesa arqueol\u00f2gica- la tomba de Tutankam\u00f3n s\u2019ha convertit en la imatge iconogr\u00e0fica de l’Antic Egipte. A causa d\u2019aquesta creixent popularitat, m\u00e9s de 2.000 persones la visiten di\u00e0riament. Aquesta pressi\u00f3 tur\u00edstica ha provocat que la conservaci\u00f3 de les seves pintures estigui en una situaci\u00f3 cr\u00edtica.
\nZahi Hawass -m\u00e0xim responsable de la conservaci\u00f3 del Valle de los Reyes en l\u2019ultima d\u00e8cada- anunciava a principis de 2011 la intenci\u00f3 de tancar les portes de diverses tombes, entre elles la de Nefertari, Seti I i Tutankam\u00f3n. Proposa al seu torn, la creaci\u00f3 de el \u201cVall de les R\u00e8pliques\u201d amb el qual s\u2019intentaria donar un respir al descans dels faraons.<\/p>\n

\n

La primera reproducci\u00f3 exacta de les pintures de la tomba de Tutankam\u00f3n<\/strong>, ha estat producte de la col\u00b7laboraci\u00f3 entre les empreses Factum Art i Arsus Paper. En el proc\u00e9s per a la realitzaci\u00f3 del facs\u00edmil s\u2019ha recorregut a les noves tecnologies disponibles: esc\u00e0ner de superf\u00edcie, fotografia digital, mecanitzat per control num\u00e8ric, impressi\u00f3 inkjet de tinta pigmentada amb qualitat fotogr\u00e0fica, i transfer\u00e8ncia de les imatges amb Papelgel.<\/p>\n<\/div>

El proc\u00e9s dut a terme \u00e9s igual que el realitzat per Arsus Paper en 2007 per a l\u2019execuci\u00f3 del<\/em>
\nRetaule de Guimer\u00e0<\/strong><\/a>.<\/span><\/p>\n<\/div>

<\/div><\/div>

\"\"
\naspecte dels plafons<\/strong><\/h4>\n<\/div><\/div><\/div>

Factum Arte va fotografiar i va escanejar els murs de la c\u00e0mera funer\u00e0ria original. Una vegada a Madrid -seu de l\u2019empresa- i amb la informaci\u00f3 recollida, es van mecanitzar els volums i textures superficials.<\/p>\n

Els vint-i-quatre plafons que completen els seixanta metres quadrats de la imatge mural van ser traslladats a les instal\u00b7lacions de Arsus Paper, a Barcelona.<\/p>\n<\/div><\/div><\/div><\/div>

\"\"<\/p>\n<\/div>

Com si d\u2019un mapa topogr\u00e0fic en relleu es tract\u00e9s, la superf\u00edcie dels murs de la c\u00e0mera presenten una accidentada orografia, i com a tals han estat tractats. La imatge s\u2019ha ajustat amb precisi\u00f3 a cada accident, textura, concavitat o ressalto. Aix\u00f2 \u00e9s possible gr\u00e0cies als avantatges inigualables del sistema Papelgel:<\/p>\n<\/div>

\"\"-Papelgel presenta una fase el\u00e0stica que permet adaptar la imatge sobre qualsevol superf\u00edcie, permetent realitzar ajustos i correccions dimensionals, amb la qual cosa no s\u2019arrosseguen o acumulen possibles errors.<\/p>\n

-\u00e9s transparent, el control i seguiment del treball \u00e9s complet.<\/p>\n

-l\u2019adhesiu empleat (en aquest cas un copol\u00edmer acr\u00edlic) es pot triar buscant la adequada compatibilitat amb les caracter\u00edstiques del material del suport. \u00c9s l’\u00fanica cosa que roman (a m\u00e9s de la tinta) despr\u00e9s de retirar la pel\u00b7l\u00edcula de Papelgel.<\/p>\n<\/div>

<\/div><\/div>

\"\"
\nrelleu del mur Est<\/p>\n<\/div><\/div><\/div>

\"\"
\ndetall del relleu<\/p>\n<\/div><\/div><\/div>

\"\"
\ndetall del relleu<\/p>\n<\/div><\/div><\/div><\/div>

\"\"
\nPapelgel impr\u00e9s entre el suport i la imatge projectada, pr\u00e8viament situada i ajustada
\n\"\"
\ndetall de la precisi\u00f3 de la projecci\u00f3
\n\"\"
\nuni\u00f3 de dues imatges<\/p>\n<\/div><\/div><\/div>

Les imatges<\/strong>\u00a0en alta resoluci\u00f3 de les pintures de la c\u00e0mera funer\u00e0ria -amb una superf\u00edcie aproximada de 60 metres quadrats- van ser muntades i posteriorment retallades aprofitant la silueta dels motius.<\/p>\n

El color va ser corregit i ajustat tenint en compte les refer\u00e8ncies crom\u00e0tiques preses de la pintura original.<\/p>\n

Per a la col\u00b7locaci\u00f3 de les imatges es va utilitzar un sistema de projecci\u00f3 similar en muntatges de ortofotograf\u00eda.<\/p>\n

Cadascuna de les imatges -una vegada determinada la seva situaci\u00f3 i retallada- s\u00f3n projectades sobre la zona a la qual corresponen, facilitant una primera aproximaci\u00f3.<\/p>\n

El material permet el lliscament de la imatge fins a la seva posici\u00f3 correcta. La transpar\u00e8ncia aporta un control molt prec\u00eds per situar la imatge. D\u2019aquesta manera i gr\u00e0cies a l\u2019elasticitat del material, \u00e9s possible ajustar fins i tot el lleu relleu que presenten els fongs que han colonitzat les pintures.<\/p>\n

La l\u00e0mina se solapa i retalla sense risc de desviacions, despla\u00e7aments o duplicaci\u00f3 de detalls.<\/p>\n

Cada element \u00e9s suficientment representatiu. De cada detall dep\u00e8n que l\u2019obra adquireixi el realisme i l\u2019objectivitat necess\u00e0ria per presentar l\u2019elevat valor pl\u00e0stic i simb\u00f2lic de l\u2019obra original.<\/p>\n

Finalment, s\u2019aplica un vern\u00eds protector amb diferents c\u00e0rregues de s\u00edlice mateant que aporten un acabat semblant a l\u2019obra original<\/p>\n<\/div><\/div><\/div><\/div>

\"\"<\/p>\n<\/div>

\"\"<\/p>\n<\/div>

\"\"<\/p>\n<\/div>

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\"\"<\/p>\n<\/div><\/div><\/div>

\"\"<\/p>\n<\/div>

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\"\"<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":2067,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2094","page","type-page","status-publish","hentry"],"yoast_head":"\n-Tutankamon - ArsusTaller<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arsuspaper.com\/ca\/pintura-mural\/tutankamon\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"-Tutankamon - ArsusTaller\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arsuspaper.com\/ca\/pintura-mural\/tutankamon\/\" \/>\n<meta property=\"og:site_name\" content=\"ArsusTaller\" \/>\n<meta property=\"article:modified_time\" content=\"2020-03-09T14:26:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/arsuspaper.com\/wp-content\/uploads\/2020\/01\/tutankamon2-300x225.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"13 minuts\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/arsuspaper.com\/ca\/pintura-mural\/tutankamon\/\",\"url\":\"https:\/\/arsuspaper.com\/ca\/pintura-mural\/tutankamon\/\",\"name\":\"-Tutankamon - 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